Alicja Dobrucka
One of the versions of
the myth about Narcissus is that his sister who he loved very much dies
unexpectedly in unknown circumstances. Unable to come to terms with
the loss he searches for the traces of her in the places they used to
visit together. The resultant work is a part of a grieving process. There is a gradual ebb and flow, a slow transition over time: it is a search for presence in the absence, creating affect rather than a narrative, sense rather than story. The photographs show vacuous vistas and locations, some of which are repeated to portray the shifts of perspective and detail reminiscent of the cyclic yet changing nature of loss: memories are visited over and over, images, words recur again and again, scenes and conversations replayed. And then eventually the day to day is lost, to a presiding feeling rather than to any one thing; memory becomes sensation.
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